Quote:
Originally Posted by archineer
1. There's no such thing as 'way past' different.
2. It is MUCH harder to design a simple building well, with ornament it is easy to cover up mistakes. It's why historical buildings are often stodgy and overwrought.
Also I noticed you deliberately picked modernist buildings that are pretty weak (apart from the Corbusier one and the church.)
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A building which I could have designed vs one designed by a great artist who had studied under the wing of a master for years ,who had studied under the wing of a master, who had studied under the wing of a master, etc, are way past different, you are in the realm of superior and inferior, not different.
If it makes you feel better about your accomplishments and those of the architects whom you admire, than keep telling yourself that. However, the public is not going to keep buying it forever, an art renaissance is definitely in the wind.
I didn't deliberately pick weak or strong from either, for the first list they were mostly from a chicago world's fair architect and some sculptures from the fair and the rest were buildings i happened to see while looking at his buildings, as well as some paintings representative of the time. for the second list I looked for celebrated buildings and artists from our time and searched on them to find the examples. If i had wanted to make modern look especially bad, boy could i of, but it would be clear i was picking the worst. Some of the modern ones I picked I somewhat like, but they are not in the caliber of any in the first list, and it is silly to even attempt to regard them as equal in either effort or in result.