Quote:
Originally Posted by nightbird47
Actually, I like both. If there is too much story, you miss all the little details. I like to study them. A straight forward history with all the nuts and bolts sounds quite interesting. When Harry Turtledove was at LASFS, it was interesting that most of the questions ask about Guns of the South were not character related, but how he wove all the detailes into the cloth so they'd fit but still lead to a different outcome.
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In the case of Harry Turtledove, he is so excruciatingly untalented when it comes to creating and presenting characters and natural sounding dialogue that he provides readers with no reason to pay attention to him other than his plots. A typical Turtledove "dialogue" will be composed of two cliche oriented characters exchanging wooden cliches which are all preposterously narrative.
Chipper: "I guess those Germans sure got what was coming to them when their Bulge plan failed because they exhausted their fuel supplies well short of their intended goal of the port of Antwerp."
Bubba: "Yeah, bet they will think twice before sending a million men into a surprise offensive in bad winter weather in order to take us by surprise and set the war effort back at least a year."
Chipper: "You said a mouthful with that, Bubba, the chickens sure came home to roost in the Nazis backyard when General Patton disengaged from his front and moved more than 100 miles north in the worst winter conditions anyone has seen since Napoleon took Moscow, and was still able to send his men into a direct attack to relieve the surrounded US paratroopers at Bastogne."
Bubba: "You're sure right as rain about that, Chipper, but we have to keep in mind that the war isn't won yet. General Eisenhower still has supply two million American and British troops on a broadfront advance into the very heart of Germany which will......."
etc etc
My theory is that Turtledove is not an individual, but rather a factory of writers, each assigned one character to follow or one chapter to write, and then it is all thrown together. I base this on:
A) The incredible proliferation of works...how can anyone write as fast as Turtledove seems to be doing, three or four 400 page novels in a year?
B) The astonishing repetition..we get told around 30 times that Soandso has a problem with the sun because he burns so easily, 50 times that a good tank commander stands up in the cupola because he can see better than when using the periscope, but it is way more dangerous, 38 times that a certain officer is able to handle some eccentric superior because afterall, he had been General Custer's aid for years an no one was more eccentric than Custer.....etc etc..All of that suggests individuals writers working with fact sheets about the characters they will be using in their assigned chapter.
C) The wildly varying quality of the writing. The final volume of Turtledove's WW II interupted by alien invasion series featured what I thought was the best Turtledove writing I had encountered...for one half of the book. Then abrubtly it changed to the worst Turtledove writing ever, and stayed that way throught the conclusion. All Turtledove books feature these sorts of quality swings, the one I mentioned was the worst.