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Originally Posted by CatwomanofV
...... It was definitely overwhelming......
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We-ll, that is the word a lover used to describe entrance to my 1 BR apartment back in 1994. All things considered, though, they were the low price ones in a college town, so it wasn't quite the view one expected upon walking into such. That lover was also the one who gave me the big framed Talbot of two dolphins.
Quote:
Originally Posted by CatwomanofV
....... Her entire living room was like that. Every pic that was given to her went up on the wall and nothing came down. She had 6 kids & 8 grandkids so you can guess over time, her walls became like that...
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In my family, at least with the brothers or at least one, they send me figurines and sculptures, usually of unicorns. I guess the mailing is just easier ALTHOUGH I have been given some kind of art in a scroll; it never went up on the wall, though. The other brother usually sends me wine.
Put up more 24X36 today: animal, ballet, animal, ballet. In that case, they were all horizontals and they just fit in that location but I am thinking of changing them. Instead of having a solid wall of 24X36 horizontals, have one up in the corner, then maybe have a vertical 24X36 below that (or two at diagonal corners) (or just one of my MEGA prints) so to break up the wall space so other size frames fit in.
I am fixing to put the Hildebrandts up this evening. As with the above, not a solid display of side to side but in the corners of the wall so other size frames can fit in the space in between.
As I go through my collections, though, I am seeing more and more ones that should not be going up. The Hildebrandt of Unicorn, Pegasus, Tiger, and I think one other, yes, but not just some sword swinging, scantly clad woman with their name on it. An old framed watercolor of the USS Constitution, well it has had 25 years on the walls, so it is time for retirement. Smaller but still a big frame of a Frazetta maybe facing retirement as is a large Boris, but both are still debatable.
What makes something debatable? What does one see when they look into it and with those I might see things to stir the creative writing juices like Ray Bradbury's Workshop......though if that place was actually like it was shown on TV, then there is probably no doubt to .....Clutter.
Which brings up the question to how does one view their house? I talk about the ranch as my Fortress of Solitude and indeed, once I am out here, it is very hard for me to budge until I have to. Does how we view our home, such as by its remoteness or surroundings, influence how we see our walls?
One thing about those who lightly cover the walls with pictures could be that when it comes time to move, they are not hit with the blow of seeing the place they built up being so nude. In every home where I have covered the walls, I've been faced that fear, felt that impact.
Finally, putting up pictures while unpacking, one might feel the fear of "there isn't enough room!" but the still oodles of boxes are probably blocking spaces.
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Originally Posted by emm74
Professional photographers curate their photos. They may shoot 600 shots but then they cull them down to the ones that are really great and really capture a moment. You can also use an album if you want prints of more but the fact that they exist doesn't mean they need to be on display on a wall.
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I think the digital age has probably pretty much done away with albums at least in my case. Those 2-3 boxes I mentioned earlier were probably 35mm holdover behavior. I was thinking of putting them all in albums, I think, but never got around to it and now wouldn't even think of it.
It is, however, an interesting point. In the 70's movie "Zeppelin", Elke Sommer gives Michael York a family album to look at while she finishes dressing and at one time, I thought that way for the same kind of situation (whether or not, given my solitary life, that situation would actually occur).
Now, assuming when the house is unpacked, I would let them view my wall mounted art work.
Now, on a slightly different point, when I display my work on Facebook, I display all of it except the most blurred or off focused or blocked shot. Even if a shot is not perfect, it may have been the only shot a participant was caught it, so I show them all. Those I enlarge and print, however, are held to a higher standard because there is more money involved.
That does, however, bring up a consideration. As previously mentioned, I started displaying my work in the late 80s or there about. I have noticed over time of how my work has improved such as always using a flash. It may be time to retire some of my lesser quality work, especially if I am not pulling a feeling from the image.