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Old 01-12-2018, 03:12 PM
 
Location: Morrison, CO
34,282 posts, read 18,657,660 times
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Quote:
Originally Posted by Mouldy Old Schmo View Post
Why do you think “The Sopranos” was ahead of its time?
It made gangsters human, and showed their family issues, and other parts of their lives.
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Old 01-12-2018, 03:15 PM
 
Location: Morrison, CO
34,282 posts, read 18,657,660 times
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Quote:
Originally Posted by Coney View Post
Julia was a groundbreaking show, depiction of a single African American mother who was smart and beautiful.
I remember that show, and watched it as a kid. Diahann Carrol was BEAUTIFUL, and very classy.
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Old 01-12-2018, 04:17 PM
 
Location: 912 feet above sea level
2,264 posts, read 1,492,429 times
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Quote:
Originally Posted by Mouldy Old Schmo View Post
Why do you think “The Sopranos” was ahead of its time?
Quote:
Originally Posted by Pilot1 View Post
It made gangsters human, and showed their family issues, and other parts of their lives.
Exactly. It was a deconstruction of the organized crime myth.

It was also an early example of a protagonist who was a very bad, morally reprehensible person. Such a thing was previously impossible, as the networks would not allow it. Protagonists could be flawed but they have to be redeemable, decent, good and heart. The morality police would not allow otherwise. Tony had some good qualities but was an abusive murderer who harmed and killed people for his own gain.

Dexter and Breaking Bad did this as well, though to lesser degrees, I think. Of course, they came after The Sopranos.
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Old 01-12-2018, 04:25 PM
 
Location: Copenhagen, Denmark
10,930 posts, read 11,751,970 times
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The Honeymooners, one of the first "serial" sitcoms produced for TV in the early '50s. I preferred it to I love Lucey and the Ozzie and Harriet Show because it was about working class people (the first of its kind) and because the cast included better actors.
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Old 01-12-2018, 09:05 PM
 
Location: Where the heart is...
4,927 posts, read 5,330,657 times
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Perry Mason

I call it the original Law and Order. He had 'Paul Drake' his detective discovering and 'vetting' clues in order to win Perry's cases.
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Old 01-12-2018, 09:49 PM
 
7,540 posts, read 11,393,581 times
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Quote:
Originally Posted by Iconographer View Post

So glad you mentioned this lovely (and yes, groundbreaking) series. I hated that it was never able to find an audience.
Since Frank's Place came on in 1987 maybe the idea of a dramedie was too different for people at that time? Then things changed in the 90's.
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Old 01-13-2018, 10:11 AM
Status: "Pickleball-Free American" (set 23 days ago)
 
Location: St Simons Island, GA
23,523 posts, read 44,204,364 times
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Quote:
Originally Posted by Motion View Post
Since Frank's Place came on in 1987 maybe the idea of a dramedie was too different for people at that time? Then things changed in the 90's.
I think you're right. Audiences weren't sure what they were sitting down to, and they were used to being spoonfed their media. Plus the idea of an ensemble cast that was (1) black, and (2) not playing up to stereotype or for comic relief was a pretty foreign one to audiences at the time.
At any rate, I'll give Tim Reid due credit for what was a sweet and heartfelt love letter to the city of New Orleans.
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Old 01-13-2018, 10:44 AM
 
1,483 posts, read 1,387,009 times
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Quote:
Originally Posted by Hulsker 1856 View Post
Exactly. It was a deconstruction of the organized crime myth.

It was also an early example of a protagonist who was a very bad, morally reprehensible person. Such a thing was previously impossible, as the networks would not allow it. Protagonists could be flawed but they have to be redeemable, decent, good and heart. The morality police would not allow otherwise. Tony had some good qualities but was an abusive murderer who harmed and killed people for his own gain.

Dexter and Breaking Bad did this as well, though to lesser degrees, I think. Of course, they came after The Sopranos.
The shows that you mention ("Dexter" and "Breaking Bad") along with "The Sopranos" I think were absolute excellence in terms of seeing the complexity of the human spirit. These shows 'humanize' people who live with deep, dark secrets, but balance it without glorifying the evil aspects...at least from my perspective. [Unfortunately there have been members of the viewing audiences who did see these characters as glorified heroes, which was (imo) not the point of the shows' themes.]

I remember watching Dexter (back when the seasons were still well-written) and seeing him as someone who came across as gentle, caring, a family man...even though those traits were a self-proclaimed facade, later proven to be not so much a facade, once Dexter admitted that he did have emotions. However, in the scenes where Dexter was eliminating the bad guy, you got to see the true monster inside. This show especially was an excellent portrayal of a person who, in his inner depths, is deeply disturbed, capable of the most heinous of acts, yet appears to those around him to be a gentle, even meek, loving spirit. I also love that in one episode, they reveal that Dexter inadvertently killed an innocent man...I think this was vital to show, revealing that Dexter was not the true hero that he thought he was.

Human nature is often extremely intricate, and I think that all three of these shows managed to capture the essence of good and evil that can be hidden in all of us. They give an excellent representation of evil incarnate, but at the same time, explore the true human aspect in these individuals.
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Old 01-13-2018, 12:04 PM
BMI
 
Location: Ontario
7,454 posts, read 7,296,120 times
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Adam-12

Very realistic depiction of police work.

Creator Jack Webb wanted the show to be a realistic as possible,
the dispatcher was a real LA police dispatcher!

Same with another Jack Webb spin off show fron that era, “Emergency!”,
again used a real fire station dispatcher.
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Old 01-13-2018, 01:40 PM
 
Location: Cushing OK
14,539 posts, read 21,301,611 times
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Quote:
Originally Posted by Hulsker 1856 View Post
Exactly. It was a deconstruction of the organized crime myth.

It was also an early example of a protagonist who was a very bad, morally reprehensible person. Such a thing was previously impossible, as the networks would not allow it. Protagonists could be flawed but they have to be redeemable, decent, good and heart. The morality police would not allow otherwise. Tony had some good qualities but was an abusive murderer who harmed and killed people for his own gain.

Dexter and Breaking Bad did this as well, though to lesser degrees, I think. Of course, they came after The Sopranos.
There's any number of shows since, especially drama, but also some comedy, which would not exist if this barrier hadn't been broken, certainly most of cable/streaming. In a way its a sign of maturity in television, since that dilemi a has been a cornerstone of drama for a long time. Flawed heros, perhaps acting by rules of their own world, not yours, are a way to explore basic humanity as well.

That cable/online/streaming productions have widened the old acceptable by telling stories that often do not feature leads we'd call heroes, but in their own world, they were living as one lived, and without a moral lecture.
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