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It really didn't need too much, Nomad. I used the shadow tool to open up the shadows a bit. However the rider's face was still too dark, so I dodged it a bit and did the horses face while I was at it. I then bumped the curve slightly to add a bit more contrast. I spent about a minute or two tops on this.
Opened up the shadows, got rid of the wires, and the con-trail looking cloud thing. Tweaked the colors a bit...still not sure I like them. Might have cropped/tilted it a little more, but didn't want to cut off your logo.
Opened up the shadows, got rid of the wires, and the con-trail looking cloud thing. Tweaked the colors a bit...still not sure I like them. Might have cropped/tilted it a little more, but didn't want to cut off your logo.
The logo would have been to the left had I been thinking originally and the rider in the back ground gone. The only reason I left the second girl is that the two are good friends and this was fun day for them. No competition stress that day. I really like what you saw and fixed. Good job.
Here's an interesting shot that shows what shooting with the intent of post processing is all about. Feel free to post process it...This is the same image in the form that has been on my web page for some time now:
And it shows what a good work flow can do for a studio where every image is taken under the same lighting with same camera and settings. I can't make it any better. Great job of post processing.
play with this one.. liked the scene, i got very good dynamic range but i could never decide what i wanted to do with it. mostly because the trees make it tough.
All I did was "Auto Levels and use "Selective Colors" to show a touch of lingering green in the grass. Then lightened it .75 of a stop.
One I never really messed with until today. See what you can do with it.. I did a minute fix up.
The boats needed to come in out of the dark.
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